“I call them photo romances because they can be … The work acquired a cult status and has been exhibited all over the world, prompting … This event is over. In her strongly feminist and subversive work and  her collaborations with photographers, writers, theatre directors and film makers, the artist seeks to intervene in the dominant cultural and intellectual discourse. Phantom Lady #22 by N. Pushpamala, 1996-1998 - Photography (Gelatin Silver Print) available for sale at great prices - Buy and sell artworks on kunzt.gallery Gelatin Silver Print. Pushpamala N. Native women of South India: Manners and..., 2006 Sale Date: November 30, 2010. Don’t miss the chance of meeting Pushpamala N as Phantom Lady - Live Sunday @ 11 am. In her strongly feminist and subversive work and her collaborations with photographers, writers, theatre directors and film makers, the artist seeks to intervene in the dominant cultural and intellectual discourse. Galerie Zurcher Paris. Pushpamala N., Phantom Lady or Kismet, 1996-98, Black and white photographs, Selenium toned silver gelatine, 16 x 20”. N. Pushpamala. Phantom Lady or Kismet, a photo- romance, Gallery Chemould, Mumbai And at the artist’s studio, Bangalore 1994 Excavations, sculpture/ installation, Gallery Chemould, Mumbai 1983 Pushpamala N, sculptures, Venkatappa Art Gallery, Bangalore. It is a musical/acrobatic dance tribute to silent-era film legend – Mary Ann Evans – a Perth-born circus … Photography. Native Women of South India: Manners and Customs (2004) A photo-performance … Born: 1956 () Bengaluru, India. Authors; Librarians; Editors; Societies Satirical, witty, she has over the years created situations and recreated some iconic images popularised by Indian culture. Pushpamala was initially trained as a sculptor and began her career likewise. You can unsubscribe or change your preferences at any time by clicking the link in our emails. ‘Phantom Lady or Kismet’ was a cryptic takeoff on Indian pop films about the exploits of Nadia, an eternal super heroine. ‘The phantom lady strikes!‘ by Pushpamala N, Thesis Eleven. Her work is often polemical, looking at the idea of the nation-state in an age of globalized neo-liberalism and using the idea of cultural memory to explore history and contemporary society with irony and wit. I wasn’t part of the world that was associated with photojournalism and … Share. The four photographic series in the show have links to South Asian cinematic conventions. View Phantom Lady #14 (1996 - 1998) By Pushpamala N.; silver gelatin print; 52 x 43 cm; Signed; . If you are looking for a particular piece by N. Pushpamala, tell us what it is and we will … What stood out amongst them was a photo collage by Bangalore-based artist Pushpamala N. titled ‘Return of the Phantom Lady of Sinful City.’ This photo-romance depicted the journey of Phantom Lady, an imaginary construct much like Gabbar Singh, rescuing a girl from the land mafia of Mumbai. Phantom Lady #22, 1996-1998. Pushpamala N. The ethnographic series (set of 45), 2000–2004 Sale Date: June 10, 2010. She completed her Bachelors and then her Masters degree in 1985. Phantom Lady #14, 1996-1998. Mar 1, 2017 - 'Performance photographer' Pushpamala N curates her own retrospective photo essay. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. N. Pushpamala. At Melbourne’s ACMI, a forthcoming production called ‘Fearless Nadia’ will be performed on October 13th as part of the Melbourne International Festival. Phantom Lady #22, 1996-1998. For example, in the exhibition, she is the frightened Draupadi, facing the threat of the rape by a … Click Here to View more. Pushpamala made her first series of what she calls ‘Photo Romances’ back in 1996 titled Phantom Lady or Kismet. Photography. Photography. The four photographic series had links to cinematic conventions of South Asia. Pushpamala N trails off as I listen and ask her if there’s a ten-minute break she can take from herself, into herself. A talk by Pushpamala N. Artist. On our Marketplace, the artworks available for sale can become yours in just a few clicks. Facebook; … Her first photo-romance Phantom Lady or Kismet, in which she played the two protagonists, is a deliberately excessive, even burlesque, revisitation of a popular genre of films from pre-Independence India, recalling the stunt pictures of Wadia Movietone, featuring Fearless Nadia - the “Hunterwali". Delhi. N. Pushpamala. EUR 4,100. Pushpamala made her first series of what she calls ‘Photo Romances’ back in 1996 titled Phantom Lady or Kismet. Pushpamala N. Phantom lady no.14 (+ another; 2 works), 1996–1998 Sale Date: November 30, 2010. Seek an Artwork by N. Pushpamala. From the series Phantom Lady or Kismet – A Photoromance by Pushpamala N. Gelatin Silver Print. EUR 3,500. EUR 3,500. Drawing attention to the constructed nature of the image, Pushpamala reenacts historical representations of women in order to subvert them; in one series she embodies the seven moods traditionally associated … Photography. . Contact +91 98865 99675 bic@bangaloreinternationalcentre.org. It seeks to bridge art and community and serve as a catalyst for greater public exposure to the important cultural history of the visual arts in the country. N. Pushpamala. ‘Phantom Lady or Kismet’ was a cryptic takeoff on Indian pop films about the exploits of Nadia, an eternal super heroine. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. N. Pushpamala. Women in Art 1- Chronicles of the Phantom Lady. She attended Bangalore University from 1976-77, where she studied under Balan Nambiar and then studied Sculpture at the Faculty of Fine Arts, MS University, Baroda. Access more artwork lots and estimated & realized auction prices on MutualArt. I do work with video as well, but I love composing still photographs because of the … … “I was very interested in 19th and early 20th century history and photography, including the painted photographs, portrait photography. Categories. 3 November 2012. View and collect fine art from leading galleries and art dealers. “Phantom Lady or Kismet: a photo romance”- Chemould Prescott Road, Mumbai 1994 “Excavations”- Chemould Prescott Road, Mumbai 1983 “Pushpamala N”- Venkatappa Art Gallery, Bangalore Group Exhibitions 2013 "Backflip: Feminism and Humour Contemporary Art"- Margaret Lawrence Gallery, Melbourne "Poses and Views"- Nature Morte, Berlin 2012 View Pushpamala N.’s artworks on artnet. From 1996 to 1998 Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. Pushpamala N was born in Bangalore. If you are looking for a particular piece by N. Pushpamala, tell us what it is and we will … Pushpamala N conceived ‘Paris Autumn’ (2006), an experimental film, during a residency in Paris. Recommended features Nature … Recently, she was the Artistic Director of the Chennai Photo Biennale 2019. Pushpamala N is a photo, video, installation and performance artist, sculptor, writer and curator, who lives and works in Bangalore India. Sometimes, Pushpamala N draws directly from cinema: “Phantom Lady” is based on Fearless Nadia, a masked, caped stuntwoman and film star from the 1930s. She completed her Bachelors and then her Masters degree in 1985. The masked character is based on one played by a popular stunt film star of 1930s Hindi films called Fearless Nadia [born Mary Ann Evans (1908–1996), she first became famous for her film ‘Hunterwali’ (woman with a whip) released in 1935.] Available for sale from Kunzt Gallery, Pushpamala N., Phantom Lady #22, Gelatin Silver Print, 52 × 43 cm Click Here to View more. ‘I can try,’ she finally sighs, and in we dive back to the beginnings of being the Phantom Lady of contemporary Indian performance art – of assuming all the roles she desired in times that the only one for a woman was precisely that - of a woman. Pushpamala N was born in Bangalore. View artworks for sale by N., Pushpamala Pushpamala N. (24, Indian). Pushpamala’s work has been shown in important shows such as the Kochi Biennale 2014, Prospect 3 New Orleans, the First Johannesburg Biennale, Photo Espana Madrid, Ikono On Air Festival and at institutions including the Tate Modern and Saatchi Art Gallery London, Centre Pompidou Paris, Seattle Museum, Walker Art Centre and Art Institute of Chicago USA; Royal Ontario Museum Toronto, Museo Tamayo Mexico, Photomuseum Winterthur Switzerland, Caixaforum Barcelona, IVAM Museum Valencia, Spain, MAXXI Museum Rome, Mori Art Museum Tokyo, National Museum of Modern Art Korea, National Portrait Gallery Canberra and Devi Art Foundation and NGMA India. She attended Bangalore University from 1976-77, where she studied under Balan Nambiar and then studied Sculpture at the Faculty of Fine Arts, MS University, Baroda. Starting out as a sculptor with an interest in narrative figuration, Pushpamala N eventually took to casting her own body as various characters and personae in the medium of photo-performance. Pushpamala has been referred to as "the most entertaining artist-iconoclast of contemporary Indian art ". PUSHPAMALA N “Return of the Phantom Lady” (Sinful City) About the work: From 1996 to ’98, Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. I do different … Satirical, witty, she has over the years created situations and recreated some iconic images popularised by Indian culture. Photography. Pushpamala N began her career as a sculptor before turning to photo and video performances. The online show Living the New Normal has been curated by Arshiya Mansoor Lokhandwala and is supported by MASH India, a digital platform founded by collector and philanthropist Shalini Passi. Known for her deceptively simple feminist works, most famously the “film noir style” Phantom Lady photo-performance, Pushpamala places herself at the centre of the social and political inquiry in the current show, by acting out multiple roles that have historical significance and contemporary relevance. Gelatin Silver Print. Here it is, warts and all … The gorgeous black and white photos presented a noir story set in Mumbai and … Chicago, Walsh Gallery, Phantom Lady and Sunhere Sapne, 2003. Known for her deceptively simple feminist works, most famously the “film noir style” Phantom Lady photo-performance, Pushpamala places herself at the centre of the social and political inquiry in the current show, by acting out multiple roles that have historical significance and contemporary relevance. Bangalore International Centre 7, 4th Main Road, Domlur II Stage Bengaluru, Karnataka 560 071 India View Map. Created and conceived by Pushpamala N Photography: Clay Kelton Cast: Pushpamala N, Kattayayani Joag, Atul Dodiya, Tushar Joag, Arshiya Lokhandwala, George Jose, Ranchodbhai Tank The Return of the Phantom Lady... Open a larger version of the following image in a popup: Return of the Phantom Lady (Sinful City): A Photo-Romance. . Labels: TAKE ON ART. N. PUSHPAMALA (Born in 1956, Indian) Dared-e-Dil (The Anguished Heart) #3 ... Indian Lady, April 2004 - May 2004. Skip to main content. "The world stands … Not only was it a homage to silent film characters like Hunterwali, it also engaged the present by locating … The Museum of Art & Photography’s (MAP) mission is to build, manage and sustain a new museum to exhibit, interpret and preserve a growing collection of art and cultural artefacts, motivated by a belief that museums should play a positive role in society. 8, 2012 auction prices, 2006 Sale Date: June 10, 2010 elements of theatrical impulses in! 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